Full details of workshops can be found on my separate website
erskine-jones-workshops.weebly.com
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Susan gave us clear instructions, both verbal and written; showed us a wide variety of examples; there were plenty of materials to experiment with different textures and a good space to work in. We came away having learned to create interesting and sometimes surprising prints . -
Janet Carter. I have taken a variety of workshops with Susan including Solar Printing, Carborundum, Drypoint and Collograph and have loved them all. - Joanne Bowes. |
Monoprinting
The appeal of monoprinting lies in its unique translucency
that creates a quality of light very different from painting on paper.
that creates a quality of light very different from painting on paper.
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Monoprinting with Found Objects. These can be common objects that are easily found, netting, lace, plant clippings, twine, paper and more.
Participants use found objects and materials to create original multilayered prints. The image can be built up with ghost prints and painterly marks worked into the plate in conjunction with your printed found objects to create a unique finished artwork. Painterly Monoprinting. This is an accessible form of printmaking that requires a minimum of technical application and materials. The resulting prints can range from a ghostly impression to a bold statement and therefore effective for a broad range of ideas. When involving painting and drawing monoprint is ideal for those who wish to evoke more painterly effects from within the print. The creative process encourages experimentation and imagination. The results can sometimes be unexpected, which gives the opportunity to adapt and develop ideas within the work. |
